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28September28September8:00 AM - 12:00 AM
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
29September29SeptemberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
30September30SeptemberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
01October01OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
02October02OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
03October03OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
04October04OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
05October05OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
06October06OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
07October07OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
08October08OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
09October09OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum09OctoberSilicon Valley African Film Festival
The Historic Hoover Theatre, San Jose -
10October10OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum10OctoberSilicon Valley African Film Festival
The Historic Hoover Theatre, San Jose -
11October11OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum11OctoberSilicon Valley African Film Festival
The Historic Hoover Theatre, San Jose -
12October12OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum12OctoberSilicon Valley African Film Festival
The Historic Hoover Theatre, San Jose -
13October13OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
14October14OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
15October15OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
16October16OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
17October17OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
18October18OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
19October19OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
20October20OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
21October21OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
22October22OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
23October23OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum23October12:00 PM - 1:30 PMCivics In Action: Building Power for the Common Good
Marquette University Alumni Union, Rm 163 -
24October24OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
25October25OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
26October26OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
27October27OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
28October28OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
29October29OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
30October30OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum30October -
31October31OctoberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum -
01November01NovemberAll Day
Sailing to Freedom: Maritime Dimensions of the Underground Railroad
Chesapeake Bay Maritime Museum01November
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The concept of race is important to America's Black Holocaust Museum because of its impact on the African diaspora. Race is a way of categorizing people by physical features–predominantly skin color. In much of the world, the white (caucasian) race is viewed more favorably than other races. The social construct has been used to justify kidnapping and enslaving African peoples and centuries of racism, including redlining, Jim Crow laws, anti-Black violence, and racial stereotypes about laziness, to give just a few examples.
While race-based arguments for inhumane treatment do not reflect biological reality, especially because someone can be of multiple races, members of the same race may share certain cultural and genetic characteristics. For example, the Black community is disproportionately impacted by Sickle Cell Disease. However, it is important to remember that commonalities between people of the same race do not indicate a genetic or biological component. Instead, racism contributes to environments in ways that can have serious and lasting impacts, especially on Black health and wealth. For example, redlining and lack of money led to many Black people living in areas with more pollution, and those in the medical field do not always provide the same service to Black patients, both of which can impact health.
Because of these inequalities, the Civil Rights Movement and other social, legal, and economic efforts for equality often specifically benefit Black people and other people of color. Race and its impact on the world have also been the topic of interdisciplinary study, and some artists specifically incorporate race--and racism--into their work. Furthermore, race can be a source of pride, sometimes in response to racism and negative stereotypes.
Three Black men have been found guilty of a robbery during which they wore white masks to hide their identities.
Read MoreWhile Black actors have made some strides in Hollywood, they are not being cast in roles that do not have to be Black.
Read MoreAs long as people feel that racism is over and Hollywood depicts racial tropes, we must keep talking about race.
Read MoreAmerica’s Black Holocaust Museum hosted a frank discussion about race that attracted participants of many races.
Read MoreU.S. Army regulations no longer allow the use of a term for Black people that many view as harmful and racist.
Read MoreThe constantly called-for “national conversation on race” is not some grand conclave. We need to stop calling for the it and realize that we are already in it. Charles Blow analyzes FBI Director James Comey’s recent speech re: 3 hard truths – history of law enforcement as oppression, unconscious racial bias and lazy thinking/cynicism by police.
Read MoreWhen Lucy and Maria Aylmer tell people they are twins, disbelief is one response. While their other siblings have a blend of features from their parents, Lucy and Maria are opposites: Lucy has fair skin and red hair, while Maria has caramel skin and dark hair.
Read MoreIn a New York Times poll, nearly six in 10 Americans think race relations are generally bad; four in 10 think the situation is getting worse.
Read MoreFor more than 400 years, the economic, social, and political behavior of Americans has been shaped by ideas about “races” and racial differences. Where did these powerful ideas come from – and are they true? How have your ideas about racial differences been affected?
Read MoreBy Riley Wilson and Shantrelle P. Lewis, Colorlines.com In this point/counterpoint about Nate Parker’s buzzy directorial debut, two Black independent filmmakers wrestle with the notion of seeing more chains, whips and nooses on the big screen. Riley Wilson: “The Birth of a Nation” Didn’t Change the Game …On the one hand, we have a film written, directed, and starring a Black man that tells the story of an enslaved African-American by the name of Nat Turner who led the most successful slave rebellion in U.S. history. On the other hand, we have a film about slavery-again… …(I)f you consider the rapturous reviews of “The Birth of a Nation” and the popularity of Black Lives Matter, a film studio would be silly not to invest in such a project. Black folks fighting for their rights—let alone their lives—is so in right now… …(T)o be quite honest, I cringe every time I see a period film about this topic gain more notoriety than films that speak to the current condition of Black lives… …(T)here are so many other stories to tell. It’s like the only way a film about the Black experience is rewarded is if it’s about the good-ole’ days of slavery… My qualm is not with the success that “The Birth of Nation” has had so far. It’s with the lackadaisical nature of an industry that allows so many great movies from writers and directors of color to fall through the cracks… Shantrelle P. Lewis: Nate Parker’s “The Birth of A Nation” is the Biggest Clapback Hollywood Has Ever Seen …(M)ost of our parents, us and our children have a limited view of history—especially any involving people of African descent. We’re taught that Black history begins with slave ships, cotton gins, beatings, lynchings and rape and ends with segregated buses, water hoses, police dogs and burning crosses. This view has been exacerbated by the predominant images of Black people today, those from the minstrel shows that are reality television programs and the viral videos showing police-sanctioned murders of Black people on social media… Beyond what the sale of Parker’s film signifies,”The Birth of a Nation” is a brilliant clapback against the first movie to use this title, D.W. Griffith’s 1915 Ku Klux Klan propaganda film… …Give me Nat Turner. Give me Toussaint. Give me Dessalines. Give me Nanny. Give me Zumbi. Give me Boukman. Give me Tula. Give me 1811. Give me the Saamaka. Give me Sojourner. Give me Denmark. Give me Harriet. Give me all of them on the big screen, any day, any year from now until forever. Read the full article here. Read more Breaking News here.
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