Milwaukee Museum Returns Pots by Enslaved Artist David Drake to Family

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Jori Finkel, New york Times

The museum restituted two of Drake’s stoneware jars to his heirs, but has found a way to keep both on display. It joins a growing number of institutions that are returning his work to his heirs.

David Drake’s alkaline-glazed stoneware vessel, which was restituted to his descendants and then bought back by the Milwaukee Art Museum. (Gavin Ashworth)

The Milwaukee Art Museum is expected to announce on Monday that it has returned two historic jars in its collection by the enslaved artist David Drake to his descendants. In doing so, it joins a growing list of museum and private collections turning over Drake’s work to family members, who have been on a quest to reconnect with their heritage.

Drake made and inscribed ambitious stoneware jars while enslaved in South Carolina in the 1800s, despite punishing conditions and anti-literacy laws that prevented teaching enslaved persons to read.

The Milwaukee Art Museum subsequently bought back one of the restituted jars, signed “Dave” and dated 1855, for an undisclosed price. This arrangement was inspired by a similar restitution agreement in 2025 reached by the Museum of Fine Arts, Boston and the descendants of Drake.

The second returned vessel, larger but unsigned, will remain at the Milwaukee museum on loan from the family.

“The museum was a great partner to work with,” said Yaba Baker, Drake’s great-great-great-great grandson, who serves as the family spokesman. “We’re excited about the fact that they’re not just acquiring a pot but developing school programs to extend the Dave story,” he added, describing an educational initiative in its early stages.

Head to the original article to learn how the Milwaukee Art Museum shed light on Drake’s work.

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