Lizzo on Hope, Justice, and the Election

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An NAACP flyer campaigning for the Dyer Anti-Lynching Bill, which passed the U.S. House of Representatives in 1922, but was filibustered to defeat in the Senate. Dyer, the NAACP, and freedom fighters around the country, like Flossie Baily, struggled for years to get the Dyer and other anti-lynching bills passed, to no avail. Today there is still no U.S. law specifically against lynching. In 2005, eighty of the 100 U.S. Senators voted for a resolution to apologize to victims' families and the country for their failure to outlaw lynching. Courtesy of the National Association for the Advancement of Colored People (NAACP).
Some Exhibits to Come – One Hundred Years of Jim Crow
Mammy Statue JC Museum Ferris
Bibliography – One Hundred Years Of Jim Crow
Claude, age 23, just months before his 1930 murder. Courtesy of Faith Deeter.
Freedom’s Heroes During Jim Crow: Flossie Bailey and the Deeters
Souvenir Portrait of the Lynching of Abram Smith and Thomas Shipp, August 7, 1930, by studio photographer Lawrence Beitler. Courtesy of the Indiana Hisorical Society.
An Iconic Lynching in the North
Lynching Quilt
Claxton Dekle – Prosperous Farmer, Husband & Father of Two
Ancient manuscripts about mathematics and astronomy from Timbuktu, Mali
Some Exhibits to Come – African Peoples Before Captivity
Shackles for Adults & Children from the Henrietta Marie
Some Exhibits to Come – The Middle Passage
Slaveship Stowage Plan
What I Saw Aboard a Slave Ship in 1829
Arno Michaels
Life After Hate: A Former White Power Leader Redeems Himself

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By Claudia Rankine, Vogue

IN OUR NEW WORLD, where travel is no longer advisable and social distancing mandatory, it has been a bit hard to connect with Lizzo. She has been on vocal rest in her home in Los Angeles, while I’m mostly isolated in my house on the East Coast. When a window of time finally opens, she settles in before the Zoom camera dressed casually, her sweater falling off her shoulders. She looks even more youthful than her 32 years, with her hair in two buns, reminding me of another princess, the fictional Leia from Star Wars. Both women took on the world and won. For Lizzo, this was not necessarily in our national script; for a Black woman it is never a given. But Lizzo’s script is an updated one. As she sings in “Scuse Me”: “I don’t need a crown to know that I’m a queen.”

This is not the first time I have encountered the singer. On my birthday last year, my teenage daughter gave me tickets to her concert at Radio City Music Hall in New York City. She knew I would be ecstatic because every morning, as I pedaled away on my stationary bike, Lizzo’s music filled our home. It had been a long time since I first visited Radio City, on a class trip to see the Rockettes. In my memory, they were a line of leggy white women kicking the air—maybe a woman of color or two was included, but they are not who I remember. This time, the Black woman onstage would leave an imprint…

R-E-S-P-E-C-T “I want to make music that helps. ’Cause that’s the way that I help. I’m not a doctor, I’m not a lawyer, I don’t work in the government. I make music.” Taffeta dress by Moschino Couture. Sylva & Cie earrings. Rings and bracelets by Chopard and Tiffany & Co. (worn throughout). Fashion Editor: Carlos Nazario. Hair, Shelby Swain; makeup, Alexx Mayo.Photographed by Hype Williams, Vogue, October 2020

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