In the Footsteps of the Enslaved

Blake Gopnik, The New York Times

In “Stony the Road,” the photographer Dawoud Bey offers a captive’s-eye view of the Richmond Slave Trail.

The terrifying first capture in Africa.

The deadly crossing of the Middle Passage.

The brutality of slave markets and servitude.

It’s almost impossible to imagine, let alone depict, the full horrors of American slavery, although writers, directors and artists have tried.

But there’s one moment that seems to have caught their attention less often: the first encounter of kidnapped Africans with the strange new land where they were marched into enslavement.

In a remarkable exhibition called “Stony the Road,” at Sean Kelly Gallery in New York, the artist Dawoud Bey takes us on the path that tens of thousands were forced to walk, from the slave ships that landed at the James River’s docks to Richmond’s slave pens and markets.

With 14 still photos and a vast, two-sided video projection, Bey explores the Richmond Slave Trail that extends for several miles in Virginia’s capital. At Sean Kelly, Bey’s stills are the first art you encounter. Those deluxe black-and-whites, almost a yard across, show various wooded spots along the trail, avoiding any details that speak of our era. (In fact, the trail now crosses many modern settings.) We get a view of trees and ground, of bits of river and patches of distant sky, such as an African might have encountered 250 years ago.

Read the full article.

Explore the Dawoud Bey: Stony the Road exhibition here.

More on the Middle Passage and Nearly Three Centuries of Enslavement.

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