Black Joy Quilts: Sewing the Future, Stitching the Past

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An NAACP flyer campaigning for the Dyer Anti-Lynching Bill, which passed the U.S. House of Representatives in 1922, but was filibustered to defeat in the Senate. Dyer, the NAACP, and freedom fighters around the country, like Flossie Baily, struggled for years to get the Dyer and other anti-lynching bills passed, to no avail. Today there is still no U.S. law specifically against lynching. In 2005, eighty of the 100 U.S. Senators voted for a resolution to apologize to victims' families and the country for their failure to outlaw lynching. Courtesy of the National Association for the Advancement of Colored People (NAACP).
Some Exhibits to Come – One Hundred Years of Jim Crow
Mammy Statue JC Museum Ferris
Bibliography – One Hundred Years Of Jim Crow
Claude, age 23, just months before his 1930 murder. Courtesy of Faith Deeter.
Freedom’s Heroes During Jim Crow: Flossie Bailey and the Deeters
Souvenir Portrait of the Lynching of Abram Smith and Thomas Shipp, August 7, 1930, by studio photographer Lawrence Beitler. Courtesy of the Indiana Hisorical Society.
An Iconic Lynching in the North
Lynching Quilt
Claxton Dekle – Prosperous Farmer, Husband & Father of Two
Ancient manuscripts about mathematics and astronomy from Timbuktu, Mali
Some Exhibits to Come – African Peoples Before Captivity
Shackles for Adults & Children from the Henrietta Marie
Some Exhibits to Come – The Middle Passage
Slaveship Stowage Plan
What I Saw Aboard a Slave Ship in 1829
Arno Michaels
Life After Hate: A Former White Power Leader Redeems Himself

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By MacKenzie Foy, AL.com

2022 quilt “No Time Being Wasted” by Mary Ann Pettway. (Black Joy)

“Black American culture can be understood as an interwoven tapestry of dialects, foodways, spiritual systems, and community-based customs that have endured for hundreds of years. Like jazz, hip-hop, and soul food, quilting is one of the many art forms emerging from this rich heritage.”

Imani Bashir, “How Quilts Became a Canvas for Black American Artists to Preserve History”

[…]

Since the 17th century, Black women have used quilts as maps toward freedom, a way of transforming recycled fabric into stylish statement bedding, a tool for warmth and comfort and fine art representing our history, lineage and love. They are bestowed as blessings during holidays, births and weddings. In addition to being a treasured gift, quilts allow their makers to receive a moment of stillness, calm and concentration.

“It is perhaps fitting that quilters, working in a medium with deep roots in nurturance, are necessarily healed by our work,” writes author and curator, Carolyn Mazloomi in her book, “Spirits of the Cloth: Contemporary African American Quilts.” Quilts soothe our wounds, calm our spirits, and enable us to find solace in a world in which we are so often responsible for the needs of others.”

Head to the original article to learn about fiber artists such as Faith Ringgold and Torreah “Cookie” Washington.

Learn more about Faith Ringgold, the historic AIDS quilt, or Louisana’s Heritage Quilt.

More breaking news here.

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