A Mecca for Black History Turns 100

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An NAACP flyer campaigning for the Dyer Anti-Lynching Bill, which passed the U.S. House of Representatives in 1922, but was filibustered to defeat in the Senate. Dyer, the NAACP, and freedom fighters around the country, like Flossie Baily, struggled for years to get the Dyer and other anti-lynching bills passed, to no avail. Today there is still no U.S. law specifically against lynching. In 2005, eighty of the 100 U.S. Senators voted for a resolution to apologize to victims' families and the country for their failure to outlaw lynching. Courtesy of the National Association for the Advancement of Colored People (NAACP).
Some Exhibits to Come – One Hundred Years of Jim Crow
Mammy Statue JC Museum Ferris
Bibliography – One Hundred Years Of Jim Crow
Claude, age 23, just months before his 1930 murder. Courtesy of Faith Deeter.
Freedom’s Heroes During Jim Crow: Flossie Bailey and the Deeters
Souvenir Portrait of the Lynching of Abram Smith and Thomas Shipp, August 7, 1930, by studio photographer Lawrence Beitler. Courtesy of the Indiana Hisorical Society.
An Iconic Lynching in the North
Lynching Quilt
Claxton Dekle – Prosperous Farmer, Husband & Father of Two
Ancient manuscripts about mathematics and astronomy from Timbuktu, Mali
Some Exhibits to Come – African Peoples Before Captivity
Shackles for Adults & Children from the Henrietta Marie
Some Exhibits to Come – The Middle Passage
Slaveship Stowage Plan
What I Saw Aboard a Slave Ship in 1829
Arno Michaels
Life After Hate: A Former White Power Leader Redeems Himself

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By Jennifer Schuessler, New York Times

The New York Public Library’s Schomburg Center celebrates its beginnings, at a moment when Black history is under attack.

The Schomburg Center at New York Public Library (DmadeoCC BY-SA 3.0, via Wikimedia Commons)

Even on an ordinary day, walking into the New York Public Library’s Schomburg Center for Research in Black Culture in Harlem can feel like walking into a shrine.

The ashes of the poet Langston Hughes are buried under the lobby floor, and its reading rooms hold one of the world’s leading collections of material relating to the African diaspora — more than 11 million items.

But on a morning last month, the vibe was more joyful noise than hush. When the doors opened, a group of African drummers led a procession of several hundred people into the lobby, where the Rev. Nafisa Sharriff, an interfaith minister, stood on the mosaic of the cosmos inspired by one of Hughes’s poems to deliver a blessing.

ImageThe Schomburg Center inaugurated a yearlong centennial celebration in May, with a ceremony in the lobby, where the ashes of the poet Langston Hughes are interred under a mosaic of the cosmos.Credit…Isseu Diouf Campbell

It was 100 years to the day since the Schomburg’s forerunner, the Division of Negro Literature, History and Prints, opened. And it was the kickoff to a year of celebrations, which continue this Saturday with the Schomburg Centennial Festival, a day of literary and cultural events, culminating with an outdoor block party featuring a performance by Slick Rick.

It’s a celebratory moment for the Schomburg, but also a fraught one. In recent months, the Trump administration has slashed federal funding for libraries, museums and humanities scholarship as part of a pivot toward what the president is calling patriotic history. And his broadsides against diversity, equity and inclusion efforts — along with more targeted attacks on the Smithsonian’s National Museum of African American History and Culture — have left many Black institutions feeling both defiant and deeply uncertain.

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