What does it mean to be Black enough? Cord Jefferson explores this ‘American Fiction.’

Share

Explore Our Galleries

An NAACP flyer campaigning for the Dyer Anti-Lynching Bill, which passed the U.S. House of Representatives in 1922, but was filibustered to defeat in the Senate. Dyer, the NAACP, and freedom fighters around the country, like Flossie Baily, struggled for years to get the Dyer and other anti-lynching bills passed, to no avail. Today there is still no U.S. law specifically against lynching. In 2005, eighty of the 100 U.S. Senators voted for a resolution to apologize to victims' families and the country for their failure to outlaw lynching. Courtesy of the National Association for the Advancement of Colored People (NAACP).
Some Exhibits to Come – One Hundred Years of Jim Crow
Mammy Statue JC Museum Ferris
Bibliography – One Hundred Years Of Jim Crow
Claude, age 23, just months before his 1930 murder. Courtesy of Faith Deeter.
Freedom’s Heroes During Jim Crow: Flossie Bailey and the Deeters
Souvenir Portrait of the Lynching of Abram Smith and Thomas Shipp, August 7, 1930, by studio photographer Lawrence Beitler. Courtesy of the Indiana Hisorical Society.
An Iconic Lynching in the North
Lynching Quilt
Claxton Dekle – Prosperous Farmer, Husband & Father of Two
Ancient manuscripts about mathematics and astronomy from Timbuktu, Mali
Some Exhibits to Come – African Peoples Before Captivity
Shackles for Adults & Children from the Henrietta Marie
Some Exhibits to Come – The Middle Passage
Slaveship Stowage Plan
What I Saw Aboard a Slave Ship in 1829
Arno Michaels
Life After Hate: A Former White Power Leader Redeems Himself

Breaking News!

Today's news and culture by Black and other reporters in the Black and mainstream media.

Ways to Support ABHM?

Tonya Mosley, Fresh Air

Jeffrey Wright stars as Thelonious “Monk” Ellison in American Fiction. (Claire Folger/Orion Releasing LLC)

In the satirical film American Fiction, a frustrated writer named Thelonious “Monk” Ellison (played by Jeffrey Wright) can’t get his latest book published because editors say it’s not “Black” enough. Monk’s editors want clichéd stories about Black life — something screenwriter and director Cord Jefferson says he experienced first-hand as a writer in Hollywood.

“People would call me and they would say, ‘Do you want to write this TV show about a Black teenager murdered by the police? Do you want to write about this movie about a slave? Do you want to write this movie about crack dealers?'” Jefferson says. “It just felt like there’s still just such a hugely limited perspective as to what Black life looks like.”

Jefferson got his start as a journalist before becoming a TV writer for Succession, The Good Placeand Watchmen, among others shows. American Fiction is based on Percival Everett’s 2001 novel, Erasure, which Jefferson says he “devoured” in 2020.

“It felt like it was a book written specifically for me,” he says. “About 50 pages in, I knew that I wanted to try to adapt the script. … About 100 pages, and I knew I wanted to adapt it and direct it.”

The film, which has been nominated for a Golden Globe for best comedy, follows along as Monk writes the kind of “Black” book the publishers want, using every tired and offensive trope he can think of. He submits the manuscript under a pseudonym, and, to his surprise, is offered a $1 million book deal.

Jefferson says using satire to tackle racism was both fun and cathartic: “You’re talking about these serious issues, but you’re talking about them in a way that makes you laugh … [and] makes other people laugh,” he says. “I think that there’s a power in that that other kinds of art don’t have.”

Read the highlights of the interview with Jefferson on Radio Milwaukee, or listen to the full interview on Fresh Air.

In recent years there have been many more films about the Black experience that have also been directed by Black directors. Click here to read another story about Black film.

Click here for more Breaking News.

Comments Are Welcome

Note: We moderate submissions in order to create a space for meaningful dialogue, a space where museum visitors – adults and youth –– can exchange informed, thoughtful, and relevant comments that add value to our exhibits.

Racial slurs, personal attacks, obscenity, profanity, and SHOUTING do not meet the above standard. Such comments are posted in the exhibit Hateful Speech. Commercial promotions, impersonations, and incoherent comments likewise fail to meet our goals, so will not be posted. Submissions longer than 120 words will be shortened.

See our full Comments Policy here.

Leave a Comment