Happy Birthday, Faith Ringgold, Boundary-Breaker, Black Artist and Arts Promoter!

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An NAACP flyer campaigning for the Dyer Anti-Lynching Bill, which passed the U.S. House of Representatives in 1922, but was filibustered to defeat in the Senate. Dyer, the NAACP, and freedom fighters around the country, like Flossie Baily, struggled for years to get the Dyer and other anti-lynching bills passed, to no avail. Today there is still no U.S. law specifically against lynching. In 2005, eighty of the 100 U.S. Senators voted for a resolution to apologize to victims' families and the country for their failure to outlaw lynching. Courtesy of the National Association for the Advancement of Colored People (NAACP).
Some Exhibits to Come – One Hundred Years of Jim Crow
Mammy Statue JC Museum Ferris
Bibliography – One Hundred Years Of Jim Crow
Claude, age 23, just months before his 1930 murder. Courtesy of Faith Deeter.
Freedom’s Heroes During Jim Crow: Flossie Bailey and the Deeters
Souvenir Portrait of the Lynching of Abram Smith and Thomas Shipp, August 7, 1930, by studio photographer Lawrence Beitler. Courtesy of the Indiana Hisorical Society.
An Iconic Lynching in the North
Lynching Quilt
Claxton Dekle – Prosperous Farmer, Husband & Father of Two
Ancient manuscripts about mathematics and astronomy from Timbuktu, Mali
Some Exhibits to Come – African Peoples Before Captivity
Shackles for Adults & Children from the Henrietta Marie
Some Exhibits to Come – The Middle Passage
Slaveship Stowage Plan
What I Saw Aboard a Slave Ship in 1829
Arno Michaels
Life After Hate: A Former White Power Leader Redeems Himself

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From the African American Registry

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Ringgold’s award-winning book, Tar Beach

On this date in 1930, Faith Ringgold was born in New York City. She is an African-American artist who has spent her artistic career breaking out of boundaries and clearing spaces for African-American creativity, especially that of women.

Raised in Harlem, Ringgold earned a BA in art and education in 1955 and an MFA in 1959 at City College, New York. Dissatisfied with the traditional high art training that she received, Ringgold reeducated herself by studying African art, reading the work of Black Arts Movement authors, and participating in the growing protest for a civil rights revolution in America. Paintings from this period blend an African-inspired aesthetic of geometric shapes and flat, shadowless perspective with potent political and social protest.

Ringgold has been an outspoken critic of racial and gender prejudice in the art world. In the early 1970s, Ringgold organized protests against The Whitney Museum of American Art and other major museums for excluding the works of blacks and women. Ringgold’s expression of black women’s experience is captured in a combination of quilting and narrative text. She transformed one of her quilts into a children’s book, “Tar Beach,” that won the 1992 Caldecott Honor Book Award and the Coretta Scott King award.

Learn more about Faith Ringgold here and the book Tar Beach here.

See another artist’s reaction to racism.

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