The Only Museum Solely Memorializing Slavery

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An NAACP flyer campaigning for the Dyer Anti-Lynching Bill, which passed the U.S. House of Representatives in 1922, but was filibustered to defeat in the Senate. Dyer, the NAACP, and freedom fighters around the country, like Flossie Baily, struggled for years to get the Dyer and other anti-lynching bills passed, to no avail. Today there is still no U.S. law specifically against lynching. In 2005, eighty of the 100 U.S. Senators voted for a resolution to apologize to victims' families and the country for their failure to outlaw lynching. Courtesy of the National Association for the Advancement of Colored People (NAACP).
Some Exhibits to Come – One Hundred Years of Jim Crow
Mammy Statue JC Museum Ferris
Bibliography – One Hundred Years Of Jim Crow
Claude, age 23, just months before his 1930 murder. Courtesy of Faith Deeter.
Freedom’s Heroes During Jim Crow: Flossie Bailey and the Deeters
Souvenir Portrait of the Lynching of Abram Smith and Thomas Shipp, August 7, 1930, by studio photographer Lawrence Beitler. Courtesy of the Indiana Hisorical Society.
An Iconic Lynching in the North
Lynching Quilt
Claxton Dekle – Prosperous Farmer, Husband & Father of Two
Ancient manuscripts about mathematics and astronomy from Timbuktu, Mali
Some Exhibits to Come – African Peoples Before Captivity
Shackles for Adults & Children from the Henrietta Marie
Some Exhibits to Come – The Middle Passage
Slaveship Stowage Plan
What I Saw Aboard a Slave Ship in 1829
Arno Michaels
Life After Hate: A Former White Power Leader Redeems Himself

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By Taryn Finley, the Huffington Post

America needs more symbols memorializing slavery and John Cummings, a white southerner, has helped to make that happen. 

He’s opened a museum at the Whitney Plantation, the first and only museum in the country dedicated solely to slavery.  The Atlantic spoke with Cummings and produced a short video about his involvement with the museum and the stories it highlights.

“This isn’t black history we’re talking about, this is our national history. It’s my history, it’s your history,” Cummings told The Atlantic. “I would try my best to present the facts of slavery to all of the people I could find so that everyone would understand how strong the deck was stacked against the Africans here.” 

Cummings spent about 16 years and more than $8 million on the project. He opened the museum last December with Ibrahima Seck, the museum’s director of research. In the video, Cummings admitted that he initially bought the plantation thinking of it only as an investment. He said that, like many white people, he was “living in ignorance” when it came to slavery.

[…]

“Blacks are screaming prejudice to the white side and the white side is looking and saying ‘Why don’t they get over it? Why can’t they get over it?'” Cummings said. “And the blacks don’t understand that the whites don’t know what the “it” is. We’re trying somehow, here, to define what the ‘it’ is.”

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