ABHM Comments Policies

Share

About ABHM

Explore Our Galleries

Map of the world showing which countries that traffic in humans to the U.S.; map shows how individual countries comply with anti-trafficking laws. The Kansas City Star 2009<p>

With BC-TRAFFICKING:KC, Kansas City Star by Mark Morris<p>

02000000; 08000000; 09000000; CLJ; HUM; krtcrime crime; krtfeatures features; krthumaninterest human interest; krtlabor labor; krtnational national; krtworld world; LAB; krt; mctgraphic; 02001000; 02001007; 02011000; CRI; international law; kidnapping kidnaping kidnap; krtlaw law; 04018000; FIN; ODD; african american african-american black; hispanic; krtdiversity diversity; woman women; youth; eames; human; map; morris; prostitution; slave; slavery; smuggle; smuggled; smuggling; trafficking; victim; kc contributed; 2009; krt2009
Traces of the Trade: The North’s Complicity in Slavery
Brannan book cover
The Long Afterlife of a Lynching
The morning sun paints the Washington Monument red as it skims the top of the National Museum of African American History and Culture - NMAAHC  in Washington, DC.  The new museum opened to the public September 24, 2016.  When viewed from particular angles, the two structures fit together like puzzle pieces.
(Photo by Jahi Chikwendiu/The Washington Post via Getty Images)
After 100 Years Of Challenges, The 1st Nat’l Black History Museum Is Here
Illustration for YES! Magazine by Jennifer Luxton.
Peering Through White-Rimmed Glasses: A Letter to My Fellow White Americans
LPDAcknowledgement-1024x768
Georgia Police Chief, Other White Leaders Apologize for 1940 Lynching
Joshua Glover
How Does a City Choose to Remember its Past?
June Jordan posing for the cover of her book, Moving Towards Home. 1989. Gwen Philips.
The Double Struggles of June Jordan, Poet and Social Activist
The lynching crowd poses as Brown's body burns. No one served time for their participation in the riot or lynching. Brown was buried in a pauper's grave. His death was recorded in a log with just his name and the word "Lynched."
A Short Video History of the Long History of Terror Lynchings
A man stands in front of the Djingareyber mosque on February 4, 2016 in Timbuktu, central Mali. 
Mali's fabled city of Timbuktu on February 4 celebrated the recovery of its historic mausoleums, destroyed during an Islamist takeover of northern Mali in 2012 and rebuilt thanks to UN cultural agency UNESCO.
TO GO WITH AFP STORY BY SEBASTIEN RIEUSSEC / AFP / SÉBASTIEN RIEUSSEC
African Peoples Before Captivity
Shackles from Slave Ship Henrietta Marie
Kidnapped: The Middle Passage
Enslaved family picking cotton
Nearly Three Centuries Of Enslavement

Breaking News!

Today's news and culture by Black and other reporters in the Black and mainstream media.

Ways to Support ABHM?

What kind of comments are you looking for?

We look for articulate, civil, and well thought-out remarks that are relevant to the exhibit and stimulate engaging, respectful conversations.

Your unique insights into the issues and your feedback–positive or negative–about the exhibits are welcome.

That said, we will not tolerate personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence and SHOUTING. We want ABHvM to be a safe place for open dialogue.

Why do you moderate visitors’ comments?

Our goal is to generate a meaningful dialogue for and by a general audience, young and old. By screening submissions, we create a space where museum visitors can exchange intelligent, thoughtful, and informed commentary that adds to the exhibits.

We do not wish to censor, so most comments will be posted if they are on-topic and not abusive. The decision of how to moderate posts, however, can be complicated and subjective. We make them as carefully and consistently as we can. Because of the volume of visitor comments, we cannot debate individual moderation decisions with our visitors.

Personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), and SHOUTING will be re-posted in the exhibit Hateful Speech. Commercial promotion, impersonations, and incoherent comments will be rejected as not able to be posted.

Why do you ask for my city and state?

We, our visitors, and our funders are curious about the audience that ABHvM is reaching, and we assume that anyone who is serious about contributing to the dialogue will not be troubled by this minor request. If you are, don’t give this information.

When and where will my comment be displayed?

Since comments are moderated, they do not appear on the site until they have been approved. Comments are typically posted faster during business hours. Moderation can be less frequent in the evening and on weekends. Comments are displayed directly below exhibits. We also reserve the right to display comments in a variety of ways, including within the text of exhibits. As we stated above, uncivil comments will be posted as part of the Hateful Speech Exhibit.

Do you edit comments?

No. Comments are either approved, moved, or rejected. Correct spelling, grammar or punctuation are up to you.

Comments Are Welcome

Note: We moderate submissions in order to create a space for meaningful dialogue, a space where museum visitors – adults and youth –– can exchange informed, thoughtful, and relevant comments that add value to our exhibits.

Racial slurs, personal attacks, obscenity, profanity, and SHOUTING do not meet the above standard. Such comments are posted in the exhibit Hateful Speech. Commercial promotions, impersonations, and incoherent comments likewise fail to meet our goals, so will not be posted. Submissions longer than 120 words will be shortened.

See our full Comments Policy here.

2 Comments

  1. Karen Thompson on June 23, 2021 at 5:15 PM

    My town recently refurbished a Rosenwald school. I would like to learn about the educational materials used in these schools pre-segregation but don’t know where to look for information. Can you help me with resources.

Leave a Comment